Certainly one of the most overrated films of the past year, this Cannes Prix du Jury winner depicts the day-to-day life of the Paris Child Protection Unit. Based on real cases and shot in a quasi-documentary style, Polisse features many disturbing scenes involving young victims or those suspected of abusing them. Yet most of the running time of this self-indulgent, miserabilist film by French actress Maïwenn seems to be devoted to depicting the interaction between the cops (including Marina Foïs, Joey Starr and Karin Viard), a sorry bunch who are constantly bickering and bullshitting, whether they’re on the job or not. Oh, and that ending? What misguided, manipulative nonsense.
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Kim Nguyen’s Rebelle (War Witch) wins top award at the Tribeca Film Festival (ADDED: Jeff Barnaby‘s Rhymes for Young Ghouls wins Tribeca All Access Creative Promise Award)
During tonight’s Tribeca Film Festival awards ceremony, which was held at the at the Conrad New York in New York, Kim Nguyen‘s Rebelle (War Witch) received the Founders Award for [...]